Literature Fueled by PTSD
We’ve been talking a lot about the use of fiction in Slaughterhouse five lately, and it has gotten me thinking. Why did Vonnegut decide to put the Tralfamadorians into his book? They don’t really seem necessary, and in some cases are just plain weird. How did he even come up with that kind of story? It sounds like something from The Hitchhikers Guide to the Galaxy. Anyways, it got me thinking about PTSD. See, we learn that Billy doesn’t want to talk or think about the bombing of Dresden because of how traumatized he was, and he is only able to do so when he is millions of light years away from home. Maybe Vonnegut is in a similar type of situation. I mean, we learn in the first chapter of how hard it was for him to write this book, and how he wasn’t able to do it for more than 20 years. There’s also this weird connection between Billy Pilgrim and Vonnegut, where it almost seems like Billy is a younger version of Vonnegut, reliving the trauma of Dresden. What if Vonnegut was...